Latest Events in Sao Paulo(July Updated)

The BTS WORLD TOUR IN SÃO PAULO 2026 stands as a highly anticipated chapter in the global journey of the South Korean sensation, BTS. As part of their fourth concert tour, this event is scheduled from October 28 to October 31, 2026, at a premier venue in São Paulo, Brazil. Marking a significant milestone, the tour signals BTS’s return to live performances following the completion of mandatory military service, encompassing an extensive itinerary of 79 shows across 34 cities in 23 countries. Beginning in Goyang, South Korea, on April 9, 2026, and concluding in Manila, The Philippines, on March 14, 2027, the tour spans multiple continents, including Asia, North America, South America, Australia, and Europe. This world tour not only revives the energy and passion fans have long awaited since the 2021–22 Permission to Dance on Stage tour but also reaffirms BTS’s enduring influence in the global music scene. The BTS WORLD TOUR IN SÃO PAULO 2026 promises an unforgettable experience, blending artistry and cultural resonance in one of South America’s most vibrant cities.

Tomorrowland Brasil 2027 is set to return in spectacular fashion, promising an unforgettable experience for music lovers worldwide. From April 30 to May 2, 2027, Parque Maeda in Itu, São Paulo, will transform into a vibrant hub of electronic music, creativity, and unity. This iconic festival, renowned for its breathtaking stage designs, world-class performances, and immersive atmosphere, is the ultimate destination for those seeking a celebration of music and culture. The festival will feature an extraordinary lineup of top-tier DJs and artists from around the globe, delivering electrifying performances across multiple stages. Tomorrowland Brasil 2027 is more than just a music festival—it's a journey into a magical world where music connects people from all walks of life. Set against the stunning backdrop of São Paulo, attendees can expect a unique blend of cutting-edge production, mesmerizing visuals, and an unparalleled sense of community. Pre-registration for Tomorrowland Brasil 2027 begins on April 30, 2026, at 10:00 BRT (15:00 CEST). To secure your spot at this highly anticipated event, create a Tomorrowland Account and prepare for pre-registration. Stay tuned for more updates and details about ticketing and the full lineup. Don’t miss the chance to be part of this extraordinary celebration. Visit Trip.com and keep an eye on this page for the latest information and exclusive offers to make your Tomorrowland Brasil experience truly unforgettable!

The 2026 Formula 1 São Paulo Grand Prix will take place from November 6 to November 8 at Interlagos Circuit, São Paulo. This event marks Round 21 of the 24-race 2026 FIA Formula One World Championship season. The 2026 F1 calendar features a record-breaking 24 Grands Prix across Europe, the Middle East, Asia, and the Americas, running from the season-opening race in March through the finale in December, making it the longest and most extensive season in Formula 1 history. For the full 2026 F1 schedule, circuit maps, and ticket release dates, Trip.com will provide ongoing updates to help fans conveniently plan their race experience.

Claudia Alarcón (born in La Punta, Argentina in 1989) and the Silät weaving collective were founded in 2023. This group comprises women from the Vichi tribe community in Salta Province, northern Argentina. They create textiles using ancient techniques of their community. This exhibition features approximately 30 works, some of which have never been shown before. These works, made from Chaguar fiber (a bromeliad native to the artists' homeland), recreate traditional patterns and techniques for making yica (a local specialty bag). For the Vichi people, weaving is an act deeply intertwined with memory, mythology, and place. Alarcón and the Silät collective have inherited and developed this knowledge, attempting to create exquisite works based on traditional patterns. By reasserting the role of women, the artists use textile production as a living language and cultural political manifesto to express their history and identity. This is Alarcón and Sillat's first solo exhibition in Brazil.

La Chola Poblete (Guaymallén, Argentina, 1989) initially adopted the name Chola as an alter ego for performances and later as her identity. The term chola refers to women of indigenous descent and originated as a racial slur in Peru and Bolivia, where the artist's ancestors come from. Poblete uses this narrative to deconstruct stereotypes produced about her community and history, working with painting, sculpture, drawing, photography, video, and performance. Her works frequently appropriate the works of other artists, mixing patterns and characters that are sometimes reproduced on the exhibition walls, as is the case here. Her drawings function as mental maps that articulate a wide range of references and techniques on paper. Her sculptures made with bread have a strong sensory appeal and evoke the symbolic and economic dimensions of this food. Her photographs suggest fictions that place the artist as a pop singer or as a mythological figure. La Chola Poblete: Andean Pop is the artist's first solo exhibition in Brazil. The title comes from a manifesto in which she criticizes the art system's expectations regarding racialized trans bodies. The exhibition brings together 31 works, including 14 watercolors from the iconic Vírgenes cholas series , exhibited at the Venice Biennale in 2024. Her work reflects on Argentine history, addressing issues such as politics, Christian heritage, and indigenous forms of resistance to colonization. The works discuss the representation of racialized and LGBTQIA+ people, while the diversity of themes and the fluidity of forms elaborated by the artist affirm her desire for freedom for these groups. La Chola Poblete: Andean Pop is curated by Adriano Pedrosa, artistic director, and Leandro Muniz, assistant curator, MASP. The exhibition is part of the year dedicated to Latin American Histories , which includes monographic exhibitions by Carolina Caycedo, Claudia Alarcón & Silät, Colectivo Acciones de Arte (CADA), Damián Ortega, Jesús Soto, Manuel Herreros de Lemos and Mateo Manaure Arilla, Pablo Delano, Rosa Elena Curruchich, Sandra Gamarra Heshiki, Santiago Yahuarcani and Sol Calero, in addition to the collective exhibition Latin American Histories, as well as exhibitions in the Video Room by Clara Ianni, Claudia Martínez Garay, Edgar Calel, Oscar Muñoz and Regina José Galindo.

The Art Action Collective (CADA) was founded in Santiago, Chile in 1979, during the military dictatorship. Members included artists Loti Rosenfeld (1943–2020), Juan Castillo (1952–2025), writer Diamela Eltit, poet Raúl Zulita, and sociologist Fernando Balces. The group conducted rapid and anonymous interventions in public spaces, aiming to rethink the relationship between art and life in a context of violence and turmoil. This exhibition brings together photographs, films, and documents documenting eight of the group's actions between 1979 and 1985. The most famous of these was "NO+" (1983), which involved posting open-ended slogans reading "NO+" (no longer) on city walls, which citizens and social activists were free to add to (e.g., "NO+Dictatorship," "NO+Hunger"). This kind of public participation transforms action into a powerful form of condemnation and collective expression, which is crucial for understanding the connection and relationship between Latin American art and life.

This exhibition, dedicated to Santiago Yavarcani (born 1960 in Pevas, Peru), brings together approximately 30 paintings, including some never before exhibited. Following his participation in the 60th Venice Biennale (2024), which garnered widespread public and critical attention, this exhibition continues the artist's influence on the international stage. This indigenous artist from the Uitoto tribe of the Peruvian Amazon, his work is deeply rooted in the oral traditions, cosmology, and visual culture of his community, expressing family memories, history, and imagination. Through painting, Yavarcani has developed a creative practice that blends artistic exploration and narrative reconstruction. The displacement, violence, and survival history of his family—descendants of the rubber boom survivors—are central themes in his work. The use of natural pigments and "lanchama" (a type of canvas made from Amazon tree bark) reinforces his connection to the land. This exhibition is a joint effort between the University of Chopo Museum in Mexico City and the Whitworth Art Museum in Manchester.