"Raphael: The Poetry of the Sublime," the first comprehensive exhibition dedicated to Raphael in the United States, brings together over 200 of the artist's greatest masterpieces and rare treasures, illuminating the radiance of his extraordinary creativity. The son of a painter and poet, Raphael engaged with the leading writers and thinkers of his Roman contemporaries, displaying a poetic sensibility that captivated his contemporaries and generations to come. The exhibition traces his life and career, from his origins in Urbino, to his rise in Florence, where he rose to prominence alongside Leonardo da Vinci and Michelangelo, and to his final decade at the Papal Court in Rome, a period of prolific production.

New York

United States

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Upon first seeing the original &quot;Starry Night&quot; on the fifth floor of MoMA, Van Gogh&#39;s swirling eddies were more turbulent than I had imagined; I could almost hear the paint roaring across the canvas. Passing through the installation art area, I was engulfed by Yayoi Kusama&#39;s Infinity Mirror Room&mdash;millions of my own reflections floated and sank in points of light, instantly disorienting me. In the contemporary art gallery, Duchamp&#39;s urinal remained playfully placed, next to which lay apple cores left by visitors. Most movingly, in the rest area, I saw an elderly man with white hair copying Mondrian; his trembling brushstrokes held the lingering warmth of the 20th century.

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Getting lost at the Metropolitan Museum of Art is a kind of bliss&mdash;turning past Roman columns, you suddenly stumble upon the Temple of Dendur, the Nile&#39;s mist seemingly still condensed on the sandstone. Lingering for a long time before &quot;Riverside Scene&quot; in the Chinese gallery, one can almost hear the pine trees whispering in Fan Kuan&#39;s ink-wash landscape. Most wondrously, in the European armor gallery, a knight&#39;s visor still bears the marks of 1547, while a Giacometti sculpture in the adjacent modern gallery speaks to it with a similarly rugged posture. Sitting in the tiered lobby at closing time, listening to an impromptu piano performance, twilight streaming through the glass dome onto Rodin&#39;s &quot;The Gates of Hell,&quot; you suddenly feel that the entire museum is like an ark carrying human civilization, with each exhibit an anchor point for its journey.

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