Zhengzhou Two Days ④·② Zhongyuan District Zhengzhou Sculpture Park

Zhengzhou Two Days ④·② Zhongyuan District Zhengzhou Sculpture Park Lakeside Scenery The water's edge of the central lake area is winding and varied, with a strong visual impact. The lakeshore buffer zone is planted with trees, shrubs, and aquatic plants, reducing the erosion of the water body on the revetment and stabilizing the soil on the shore. The bottom of the lake is treated with different water depths, using the vertical flow of the water body to promote the up and down circulation of water, reducing pollution and impurities in the process of water flow, and achieving self-purification of the water body. The entire central lake area of the Sculpture Park forms a wetland effect in the landscape, buffering the pressure of the urban hard landscape. At the same time, it purifies the water quality, softens the revetment, and forms a good habitat for animals and plants. Man and Nature—2019 China·Zhengzhou International Sculpture Exhibition Work Name: Bundled Body Artist: Lv Pinchang Material: Stone Size: 5 Meters Long The work explores the relationship between 'surface' and 'body' through 'rolling' and 'binding'. The 'plane' turns into a 'body' after a turn, and the various sides of the 'body' form more 'rises' and 'falls' through the uneven force of the turns. 'Turning' and 'rising and falling' are the basic languages of sculpture modeling and are also the core of shaping. Man and Nature—2019 China·Zhengzhou International Sculpture Exhibition Work Name: Deer Artist: Zeng Chenggang Material: Copper Size: 6 Meters High Deer are graceful creatures of nature, wild and mysterious. In both Eastern and Western cultures, they are considered auspicious and symbolize beauty, kindness, and justice. They are 'creatures of benevolence' that 'respond with sincerity and courtesy'. The sculpture portrays a spirited and chest-thrusting creature with a romantic and lyrical language, robust and heroic, brimming with passionate energy and an indomitable vitality. Man and Nature—2021 China·Zhengzhou Sculpture Exhibition Work Name: Feeding Nest Artist: Yan Kun Material: Stainless Steel Size: 2.7 Meters High Chirping tenderly, looking west and east, beak touches the goose-yellow feathers not yet full, parents always endure much hardship, a piece of sincere heart sent to the sky. Man and Nature—2018 China·Zhengzhou International Sculpture Exhibition Work Name: A Tiny Boat Artist: Gong Yu Material: Stainless Steel Size: 5 Meters High The work uses the veins of a leaf as the main creative element, creating a thought-provoking non-realistic state within a gentle, stable, and continuous structure. The atmosphere formed with nature, time, and space is a caress to the visual and sensory, this 'Tiny Boat' wanders on the edge of poetry, technology, and spiritual freedom. It is not just a visual transformation but also an experiential process of the relationship between man and nature, connecting the work itself, nature, space, and human thought. Man and Nature—2018 China·Zhengzhou International Sculpture Exhibition Work Name: Meditation of Nature Artist: Yang Jianping Material: Cupronickel Size: 2.5 Meters High Meditating with closed eyes in nature is a listening and contemplation of the symbiosis between man and nature. At this moment, 'man' becomes a key link, listening intently to the voice of nature, completing the link between space and time that is both symbiotic and glorious, yet different, through the actions of 'listening' and 'contemplating'. The work creates a quiet space for contemplation through the image of a person with closed eyes and an inclined ear. 'He' is reflecting on nature, and at the same time, it is a meditation from nature. It allows people to slow down, stop, and guide them to think about the subtle interdependent relationship with the natural space they are in.