In 1443, the grandson of the bold Philip, the good man Philip, signed with Jean de la Huerta to build a mausoleum for his parents, John, and Margaret of Bavaria, as his grandfather's tomb. After 27 years of intermittently, the tomb of the Duke and Lady was finally placed at the foot of the daring tomb of Philip in the middle of the Challette monastery. The choir of the middle chamber of the Chatterleigh monastery before the French Revolution was housed in the mausoleum of the Duke of Burgundy, the daring Philippe and the fearless Johns. Three hundred years later, the French Revolution of 1789 came, and the administration and church were separated, and many church properties were nationalized. In 1791, the future Imperial Home Secretary took Charlerote Abbey into his pocket and transformed it into a holiday business (a familiar scene). The Fuling of the Dukes of Burgundy was relocated a year later to the church of San Benigne, where it was settled. Now, in the second floor hall of the Duke's Mansion, we see only the outer coffin part of the original Fuling. "93 was a tense year. Storms burst, mixed with anger and sublimeness." - Victor Hugo, who rose to rebel in the year of Dijon, considered the tomb stored in the church of San Benigne as a "monument of special rule". The statue of the duke's bed was completely broken, and only the angel, the duke's face and Gothic building elements escaped the robbery, and the statue of the crying man only had 70. Many parts of the tombs were stolen. Nearly a decade later, architects Claude Senphere initiated and began collecting parts from private hands scattered around the country. After a hard search, some portraits of crying people were recovered and others were replicated in private hands. But seven weeping figures have not been seen. Compared to the magnificent ranks of weeping men and the exquisite arches, the tomb's master, the daring Philip and the fearless John, looks very restrained, perhaps limited to expressing the majesty and nobleness of the lords. The lying on the top of the coffin is like hands folded on the chest, stiff and expressionless. The team of crying spirits is from two worlds. The tomb of the Duke of Burgundy shows extraordinary refinement. The mausoleum's majesty represents the prestigious and decent of the dukes, while the statues of many crying people, their exquisite posture and rich expressions, vividly depict and express people's inner activities in a realist way derived from Northern Europe. Medieval gothic art reached its peak at this moment, and the dawn of the renaissance loomed over the horizon.