Things to do in Buzet

Distillery "Aura"

Colmo castle

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Cathedral of Santa Maria del Fiore

• Known as the main church of the Catholic Archdiocese of Florence and the third largest church in the world • Consisting of the main church, bell tower and baptistery, it is not only large in scale, but also a representative building of the entire early Renaissance • The cathedral has a 19th-century Gothic Revival-style facade. Its exterior is paved with marble blocks of different shades of white, green and pink. The colors are colorful and harmonious △ In 1982, the cathedral was listed as a World Cultural Heritage as part of the historical center of Florence. After entering the church, you can climb up to the dome from the small door on the side. You need to climb 463 steps, and then overlook the entire city of Florence. △ The bell tower of the church is a Gothic building, 85 meters high. It consists of a six-story square structure stacked upward into a column. The outer wall is paved with white marble, which is pure and elegant, bringing more momentum to the majestic church.

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Piazza del Duomo

Piazza del Duomo is located in the heart of the historic center of Florence, which was inscribed on the UNESCO World Heritage List in 1982. The square has been the city's religious center since the Middle Ages. In the late 13th century, surrounding residential buildings were demolished to build the new cathedral and bell tower, and it was gradually expanded over the following centuries to its current size. The square brings together three iconic buildings: theCathedral of Santa Maria del Fiore, Giotto's Bell Tower, and The Baptistery of San Giovanni. Together, they form the "Cathedral of Santa Maria del Fiore complex," showcasing the evolution of architectural art in Florence from the Middle Ages to the Renaissance. The dome designed by Brunelleschi stands over 90 m high and is a striking visual focal point on the square's skyline. Historic buildings such as the Archbishop's Palace, the Cathedral Museum, and the Bigallo Museum are also located around the square. Standing in the center of the square and looking around, the facades of buildings from different eras and styles complement each other, making it a key location for experiencing the urban landscape of Florence.

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Uffizi Gallery

• Exhibits the private collection of the Medici family, including Botticelli's “Birth of Venus” and “Springtime”, Leonardo da Vinci's “Annunciation”, Raphael's “Virgin and Child with Saint Anna” and other works • Collect more than 100,000 precious exhibits, covering almost the entire history of art, from ancient Greek sculptures to 18th-century Venetian oil paintings • Learn about Renaissance works and review Italian classics △The Uffizi Gallery displays the private collection of the Medici family. The Medici family was an Italian aristocratic family with a long history. They collected many important Italian Renaissance works of art and donated them to the Uffizi Gallery, which became part of the Uffizi Gallery. △This is a gathering place for Renaissance paintings, including works by famous painters such as Botticelli, Raphael, Leonardo da Vinci, and Michelangelo. They are divided into more than 90 exhibition halls according to creation time and creative genre.

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Gallery of the Academy of Florence

The Gallery of the Academy of Florence was established in 1784 by Grand Duke Pietro Leopoldo of Tuscany through the reorganization of Florence's art education institutions. It is located on the former sites of the San Matteo Hospital and the San Niccolò Monastery, with its origins tracing back to the Academy of Drawing Arts founded by Cosimo I de' Medici in 1563. The gallery's collection initially served as a teaching resource for students to copy original works. In 1873, to protect Michelangelo's David from exposure to the elements in Piazza della Signoria, the statue was secured on a wooden cart and transported through the center of Florence to the gallery. As the dedicated exhibition hall was not yet completed, it remained sealed in a wooden crate for nine years until the Tribune of David, designed by architect Emilio De Fabris, was finished and opened to the public. Today, David stands bathed in natural light from the skylight above, drawing countless visitors who come specifically to see it. The museum also displays a concentrated collection of Michelangelo's four unfinished sculptures, "The Prisoners," originally carved for Pope Julius II's tomb, along with the equally incomplete "St. Matthew." The human figures appear to be breaking free from the rough stone, offering a direct experience of his "unfinished" sculptural language. At the center of the Hall of the Colossus near the entrance stands Giambologna's full-scale terracotta model for the marble group "The Rape of the Sabine Women," created for the Loggia dei Lanzi. Surrounding it are 15th- to 16th-century Florentine paintings by Botticelli, Perugino, Filippino Lippi, and others. The 19th-century hall, originally a women's hospital ward, now replicates the studio of Lorenzo Bartolini, displaying plaster models. The museum also houses a musical instruments section, featuring a Stradivari viola and cello once owned by the Medici family, as well as early keyboard instruments made by Bartolomeo Cristofori, the inventor of the piano. The visitor route extends from the Hall of the Colossus at the entrance to the Hall of David at the end. Most travelers turn back to the exit after seeing "David," leaving the painting galleries and the musical instrument department on both sides with sparse crowds, making them great places for quiet art viewing. The museum is not large and has a clear layout. Long queues at the entrance are common during the peak season, but the painting galleries and musical instrument exhibition areas are less crowded and worth visiting as well.

Staza sedam slapova

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Saint Mark's Basilica

Saint Mark's Basilica is located in Saint Mark's Square, adjacent to the Doge's Palace. The basilica was first built in 828, and after the old church was destroyed by fire, reconstruction began in the 11th century. It was originally used to house the relics of Saint Mark and later stored various treasures brought back during the Crusades, making it an art repository with a rich collection. The church is primarily Byzantine in style, blending various architectural and decorative elements from Romanesque to Renaissance. Its facade features five Romanesque doors with diamond-shaped arches, topped with Oriental and Gothic spires, along with marble statues, reliefs, and floral motifs. The massive dome and dazzling mosaics are its most striking features. The church consists of five large domed main halls and two cloister-style vestibules, forming a giant Greek cross in its overall layout. The design of the five domes was inspired by the Church of the Holy Apostles in Constantinople, making it a highly representative Byzantine-style structure. In front of the church stand three flagpoles, symbolizing the three regions of Cyprus, Crete, and Morea that Venice controlled during its peak, bearing witness to the city's past glory. At the top center of the church stands a statue of Saint Mark holding the Gospel of Mark, with the winged lion symbolizing Saint Mark beneath it.

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Doge's Palace

The Doge's Palace, adjacent to St. Mark's Basilica and facing the lagoon, was the political hub of the former Republic of Venice: serving as the residence of successive doges and housing legislative, administrative, and judicial bodies such as the Great Council, the Senate, and the Council of Ten. Originally built in the 9th century as a castle-like defensive structure, its current Gothic main body was constructed from the 14th century onward, suffering multiple fires over time. After two consecutive fires in the 1570s, architect Andrea Palladio proposed a neoclassical redesign, but the republic ultimately restored it to its original Gothic form, creating this masterpiece of delicate Venetian Gothic architecture. Since 1923, it has operated as a museum, with ceiling and wall paintings by Venetian School masters like Tintoretto and Veronese adorning its halls. The two facades facing St. Mark's Square and the lagoon are the signature features of this building: geometric patterns formed by white and rose-colored stone, with a massive solid upper wall adorned with flamboyant spires and traceried windows. Below, the two-tiered arcades and loggias appear light and airy—this unconventional "top-heavy, bottom-light" proportion is precisely what distinguishes Venetian Gothic style. The original medieval capitals and statues replaced during the facade's major restoration now have a dedicated exhibition area. The visit generally follows a fixed route. First, enter the inner courtyard: the north side is adjacent to St. Mark's Basilica, where you can look up and see the church's domes; on both sides of the Giant's Staircase in the courtyard stand the statues of Mars and Neptune sculpted by Sansovino, symbolizing the republic's power on land and at sea; embedded in the walls of the second-floor corridor are several lion-headed anonymous denunciation boxes, where reports were once dropped directly into the lion's mouth, and standing in the corridor, you can also overlook St. Mark's Square and the lagoon. The bronze cistern in the center of the courtyard is exquisitely decorated—fresh water was scarce in Venice, and the whole city relied on rainwater filtered into underground wells for use; it is said that water sellers used to come here specifically to draw water for sale. Then, go upstairs along the Golden Staircase: the staircase is named for its gilded stucco decorations, and at the entrance stand the statues of Hercules, who slew the serpent, and Atlas, who carried the earth on his shoulders; in the past, it was reserved only for nobles and VIPs. Upstairs, the rooms are lined one after another—the Four Doors Room, the Anticollegio, the Sala del Collegio, and finally the Great Council Chamber—with paintings and sculptures covering everything from the ceilings to the walls. In the Great Council Chamber, Tintoretto's massive "Paradise," inspired by Dante's "Divine Comedy: Paradiso," occupies almost the entire side wall; its sheer scale makes it one of the largest oil paintings on canvas, with layers of heavenly figures filling the composition. Another room is lined with world maps, featuring celestial and terrestrial globes on display. The latter part of the itinerary leads first through the armory, which houses medieval weapons and armor, then descends into the dim, underground prison cells, and finally crosses the Bridge of Sighs, built around 1600, to reach the New Prison on the opposite bank—a facility considered one of the earliest buildings in Europe designed specifically as a prison, with its name derived from the sighs of prisoners as they crossed the bridge.

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Piazza San Marco

St. Mark's Square is unique among European city squares, being located in the city center, but not as noisy as other squares, thanks to Venice's quiet waterway traffic. As a Venice landmark, it is favored by tourists, photographers and even pigeons. Piazza San Marco has historically been the political, religious and festival center of Venice, the seat of all important Venetian government institutions, the seat of the Archbishop since the 19th century, and the venue of choice for many Venetian festivals. More than 200 years have passed since the style layout, this trapezoidal square on the edge of the Grand Canal still has its charm. The square is about 170 meters long, 80 meters wide to the east and 55 meters wide to the west. From New Year's Day to Carnival to Christmas, the Venetians host festivals big and small in Piazza San Marco, and even on normal days, people from all over the world flock to this square. There is a circle of exquisite Renaissance-style buildings on the side of the square. St. Mark's Basilica, the Mint, and the Doge's Palace are located on the east side of the square. On the south side are the bell tower and the new and old parliament buildings. Climbing the bell tower can overlook the whole square panorama. . On the west side is the Corell Museum, and on the back is a row of boutiques selling gold jewelry, glass, clothing, home decoration, etc. The storefront is not large, but the window design is very eye-catching. Between the Doge's Palace and the Venetian Prison on the other side of the river is the Bridge of Sighs, and between the square and the Grand Canal is the small Piazza San Marco, where you can see two tall columns standing on the river bank, one of At the top is the statue of San Marco's lion ready to fly. At the top of the other column stands a statue of the holy San Theodore accompanied by a crocodile, both patrons of Venice. During the day, the square is crowded with tourists, and there are groups of tourists everywhere, and large groups of pigeons are flying around the square. If you want to feed the pigeons, you can buy biscuits to feed them. If you encounter a black person who feeds pigeons and corn, don't take it. A small handful of rice is 10 euros. If you accept it, you can ask for money. However, white people generally only give 2-5 euros. If you see Asians in Italy, they will charge more. You can choose to stroll in the square, of course, you can also choose an outdoor cafe seat to sit and rest when you are tired. Although the restaurants and cafes in the square are very expensive, you won't mind because you can stop here for a while and let your eyeballs enjoy the feast of architectural art. The steeple church, Byzantine dome church, mosaic frescoes, marble carvings, and the elegant and elegant Doge's Palace next door are not to be missed. In addition, there are many street performers and mobile vendors in the square, selling some local souvenirs, the price ranges from 3-10 euros, you can buy some as souvenirs if you like. At the same time, the view of the square at night will not disappoint you. If you visit Piazza San Marco around 7:30 pm, you will be impressed by the sight in front of you. In each arch of the buildings around the square, there are lights emitting golden light, which illuminates the original white stone church with golden color, and the whole square is shrouded in a golden splendor. Some restaurants also have their own open-air LiveShow, and it is also a pleasure to watch a free performance here.