Church of Our Lady

The Church of Our Lady of Bruges, Belgium, dates back to the 13th, 14th and 15th centuries. The tower is115.6 meters tall and remains the tallest building in the city and the second tallest brick tower in the world. The church displays Gothic style on the striking exterior wall built in the 1270s.

The Church of the Virgin of Bruges is also a very important religious institution, Bruges is also a very simple city, the Church of the Virgin of Bruges is still a very typical place, the Church of the Virgin of Bruges is still a good place to visit.

The location of Bruges’s “Killer No Holidays” is a typical medieval ancient city, with a large number of buildings dating back centuries. Early Gothic architecture has become a part of the city’s character. It takes about an hour by train from Brussels to Bruges, and it can be reached on the same day.

The Cathedral of Our Lady was built in the 13th, 14th and 15th centuries. Its bell tower is 122 meters tall and is the tallest building in Bruges and the second tallest brick tower in the world (the tallest is St. Martin's Church in Lanzhuth, Germany). The Cathedral of Our Lady has a famous art treasure: Michelangelo's "The Virgin and the Holy Child" (MadonnaandChild). This small marble sculpture (1504) is the only artwork Michelangelo left outside Italy.

The tower of the Church of Our Lady of Bruges is the tallest building in Bruges and the second tallest brick tower in the world. Visiting the Church of Our Lady requires a ticket for 4 euros per person. Compared with the later stage in Amsterdam, it costs 9 or 10 euros to see a church. This price is really close to the people. The most famous work inside should be the white marble sculpture of the Virgin and the Son of the Master Michelangelo, but I was too small to shoot. Everywhere in the church gave me a dramatic feeling. In addition, the floor was filmed with a three-dimensional effect. There was no such effect on the ground. It was magical!

The thickness and texture of history seemed a fate, the quietness and grace that had been wrought out of the marble of pain and ecstasy, and the distance from Rome to Bruges in the colonnade of Ionia seemed to have foretold that the new spirit of the world had not yet arrived, And eternal love will hold her.