Chengdu Museum

The exhibition hall on the first floor of Chengdu Museum will hold the "㝵 Jaguar - Mexico Ancient Civilization Exhibition" from June 8 to August 25, 2024. In the long volume of human civilization, ancient Mexico occupies a special place with its unique creativity and deep cosmic understanding. Ancient Mexico had developed a highly developed agricultural civilization 3200 years ago, creating unique text and calendar systems. From Olmec to Teotivacan, from Maya to Aztec, these diverse civilizations have profoundly influenced the historical process of Central America. And the Jaguar faith, as a cultural clue that has been through the development of civilization, they leave behind, not only the fine observation of nature and the pursuit of extraordinary beauty, but also a series of breathtaking cultural treasures, guiding us to explore the colorful material life of ancient Mexicans. Living and spiritual world. This exhibition brings together 154 cultural relics from nine major Mexican cultural institutions, most of which are first unveiled in China, including the most representative stone carvings, murals, pottery and sacrifice supplies. Through these witnesses, the ancient Mexicans showed the rain god, The reverence of the maize gods and the hidden jaguars reflects their deep insights into aesthetics, philosophy of life and nature. Join us to appreciate the artistic essence of ancient Mexican civilization and to deeply understand its spiritual connection with the gods and their profound impact on society. This is not just a tribute to ancient civilizations, but a journey to explore human understanding and expression of the supernatural.

Today, Mr. Zhao Fei explained to me the Chengdu Museum for nearly three hours, so that I not only saw the rich collection of Chengdu Museum, but also deeply understood the long history and deep cultural heritage of Chengdu. Teacher Zhao from the ancient Bayan civilization to tell me, through introducing the five ancient kings and early bronze, pottery and stone and other precious cultural relics, I not only learned the unique charm of the ancient civilization, but also learned the lifestyle and social structure of people at that time. In the exhibition hall of the Qin and Han periods, Mr. Zhao explained in detail the important status of Chengdu as a political, economic and cultural center during this period, especially the Shi Xi of the Han Dynasty impressed me very much. Then Mr. Zhao took me into the exhibition hall of the Tang and Song Dynasty. By explaining the exquisite gold and silverware, porcelain, and the literary scholars and calligraphy and painting works of the Song Dynasty, I deeply understood the cultural prosperity and artistic achievements of Chengdu during the Tang and Song Dynasty. Of course, through the explanation of Mr. Zhao, I also learned about the destruction of Chengdu by the Mongolian army in the Yuan Dynasty, and the tragic history of the massacre in Jixian County in the late Ming Dynasty. These tragic historical fragments have made me admire the tenacity and rebirth of Chengdu, and finally understand why Chengdu is such a inclusive city. Mr. Zhao's explanation, not only rich in content, clear logic, but also interspersed with a lot of interactive and interesting small stories, making the whole visit process easy and fulfilling. This explanation today is a kind of luck and enjoyment for me.

Architecture: The museum is chic in shape, with a sense of vision from a distance, and the line sense comes to your face. It is different from the simple and beautiful Forbidden City. Zhejiang Bo is low-key, reserved and restrained. Shangbo Haipai is elegant. Chengbo has a feeling of UFO and Samsung pile. When there are few people, you can take pictures of the environment and traffic: Just on the west side of Tianfu Square, next to the Art Museum Science and Technology Museum, this plan is very special, you can take a one-stop cultural and martial arts, the urban planning of the Chengdu Municipal Government is really in place. The transportation is very convenient with the subway, and the taxi is in order. You can sit at Starbucks and watch the traffic here, which is really a different kind of scenery. The furnishings in the museum: I mainly saw the 234th floor, and the 1st floor Mexico exhibition is to be opened. The lighting design in the museum is reasonable, the cultural relics are arranged in a sophisticated manner, and the pictures and texts are introduced, which can quickly get to the core idea of the exhibition. Shown in the order of the times, there is a feeling of crossing. The treasures of the two town halls are also very shocking. Guide explanation: The first manual explanation booked by Trip.com, I was confused and booked a group of one person. 🤪 I only knew 😆 Seweng lost the horse when I called in the morning. In addition to the per capita cost of a single time, there is really nothing wrong with it. Wang Dao came and quickly immersed himself in the explanation, especially in the Song Dynasty, I almost thought I could meet Dongpo University academicians. This feeling is that dozens of machine explanations or VR glasses cannot be given. You can basically understand the history of Chengdu 3,000 years within 2.5 hours. The rise and fall of the dynasty and the law of survival seem to be popularized from children. It's a little late then. I highly recommend this tour guide brother.

成都博物馆三楼临展厅6月20日至8月20日前举办“鲁迅的艺术世界”。鲁迅（1881-1936）原名周樟寿，后改名周树人，字豫山，后改字豫才，浙江绍兴人。著名文学家、思想家、革命家、民主战士，新文化运动的重要参与者，中国现代文学的奠基人之一。毛泽东曾评价：“鲁迅的方向，就是中华民族新文化的方向。”作为二十世纪的伟大人物，鲁迅的人格魅力和思想光焰几乎笼罩中国一个世纪。鲁迅的一生，除了创作和翻译之外，大量精力用在美术活动上。他曾在《儗播布美术意见书》一文中阐述了自己的美术观：“美术云者，即用思理以美化天物之谓。苟合于此，则无间外状若何，咸得谓之美术；如雕塑，绘画，文章，建筑，音乐皆是也。”这里的“美术”，即指广义美术，即现用的“艺术”一词。他的人生亦是无私奉献于艺术活动的一生收藏原拓中国现代版画二干多幅、原拓外国版画近二千幅、碑拓及汉画像六干多张；购藏中外艺术类书刊六百多种；最早介绍外国美术在中国刊物上发表；创办“木刻讲习班”，培养了中国第一代现代版画家；举办多次版画展览；支持和指导十余个美术社团；编辑出版中外美术书刊十余种；设计书刊封面六十多个，题写书名三十多种；发表大量论中外美术的文章；翻译多种国外艺术理论书籍和论文；留下巨量手稿和书法墨迹。如果说文学创作是一种对苦难的抗争的话，对美术的终生热爱则是鲁迅快乐的源泉。本次展览通过展出北京鲁迅博物馆馆藏精品文物110余件/套，带我们走近鲁迅的艺术世界，共同感受这位文学巨匠丰富多彩的艺术收藏和精神世界。

It took half a day to visit the Chengdu Museum. From the top to the bottom, there will be fewer people. In the folklore exhibition hall of Chengdu history, there are many simulated scene-style displays. It is very realistic and has an immersive feeling. Some items borrowed from the Samsung Dui Museum are also worth enjoying. The people and nature on the negative floor are very suitable for children to go to science animals, and the overall feeling is good.

The cultural relics are silent and the history is deafening. This morning, I was fortunate to meet the wonderful explanation of Mr. Liu, a big coffee teacher. The listener's knowledge leaped, and learned about Chengdu's past and present lives and ancient culture in all directions. Two hours on the stage, ten years of work under the stage. Like Teacher Liu, the gold medal interpreter, 💯🆙🥇👍