Feixiange

The Feixian Pavilion Scenic Area belongs to the banks of the Linxi River along the Lijiang River and the Lijiang River. The 14 cliff stone carvings from the two Han to the Tang and Song Dynasties are the most complete and largest in the largest. In addition to the cliff statues left over from the Shengtang period, There are also many relics from Western and Taoist cultures. Feixian Pavilion can be said to be built on the mountain. The word Feixian is just right, including everything. It means to suggest that no matter how far-reaching the impact of Buddhism, the local religion is still quietly carrying out. For this reason, the people have achieved the good support for the flying immortals.

Feixian Pavilion Scenic Area is located in Xiange Village, Chaoyanghu Town, Lijiang County, Chengdu, Sichuan Province, with an area of about 1,000 square meters, and was built in the West Han Dynasty. It is rumored that Mogong came back from the war and saw the beautiful scenery to live here. Later, Chengxian flew up. This is a thousand-year-old cave with a concentrated collection of cliff sculptures. The existing statues are 92-777. The statues are exquisitely crafted and beautifully shaped, especially the ninth temple as an excellent representative. Feixian Pavilion is built by mountains and rivers, consisting of arch bridge, mountain gate, Yanyan Pavilion, Lingxu Pavilion, Feixian Pavilion, Mogongtai and so on.

Feixian Pavilion Grottoes are concentrated on the huge rocks of Erlang Beach. It is not far from Chaoyang Lake for the exquisite statues of Buddha Taos absorbed and integrated in the Central and Tang Dynasties. The grottoes are more concentrated on the mountain wall on the roadside. There are some styles and the best part is opposite the creek, but we didn’t see it. I can only watch from afar, and there are several beautiful places...

朝阳湖作为人造水库是相当失败的，蒲江上个世纪打造了这个景区，很快淹没在历史洪流中，远不如交通便利的石象湖那么经久不衰。似乎青衣江沿线的景区都没有什么好下场，不管是百丈湖、槽渔滩，还是朝阳湖，抑或是夹江千佛岩，要么衰败，要么名气极低，点评与游记都少的可怜。但槽渔滩有千塔佛国—中国的吴哥窟，朝阳湖有全国重点保护文物--飞仙阁摩崖造像，却都又称得上精妙绝伦。特别是飞仙阁，始建于隋唐时期，是真正的千年石刻，非常值得一游。 1.位置：蒲名路沿线，也就是朝阳湖环湖路上，郁郁葱葱，堪比葱岭，就在马路牙子边，是蒲江石窟中保存最完好，造型最精美的摩崖石刻。可见，几十年前缺少保护意识，修路规划得有多蠢，才会把国保文物用两条路分成沿街的三部分，每天被车来车往的灰尘所侵蚀。 2.开放时间：又在修，又是无休无止的地质不稳、存在危险，暂时关闭，一闭十年。 3.看点：两条路分的三部分可以以干道视为两部分，一部分是飞仙阁巨岩，也就是这个景点的封面图，另一部分是另一侧的两尊稍大佛像，附有少部分雕刻。（1）飞仙阁巨岩。飞仙阁立于岩上，应为后世修筑，可以俯瞰蒲江河蜿蜒而去，因脚手架遮挡不能前往，略显遗憾。但重点不是它，而是岩石上隋唐时起精雕细琢、代代相传的摩崖造像。在这个巨岩的两侧，刻满了佛像菩萨、力士莲座，尊尊造型精美，座座色彩鲜艳。内容大多是释迦牟尼与三世佛、西方三圣、弥勒、千手观音、如意轮观音、地藏、天龙八部，还有其他游客提到的胡人天王，这一有力佐证唐代西域往来繁盛的象征。石刻雕工细腻、线条简洁明了，神佛普遍面容安详，饱含禅意，身材曼妙、引人神往，特别是色彩的描绘上，孔雀绿绿意盎然，蓝衣裙湛蓝如碧，红似火、黑如墨，即便历经千年，仍不掉色，可见使用的必然是奢侈品。我几乎可以肯定，这个偏僻不为人知的摩崖造像，是川内除开安岳石刻以外最精美的古代石刻。凝视菩萨手执莲花，现身说法的身姿时，宛如身在佛国，聆听梵音，可见塑造水平之高，使人叹为观止。（2）中等大佛位于道路另一侧，一尊被围挡遮住了半边，只看到上半身，塑像耳目低垂，不怒而威；另一尊在旁边山壁的半山腰上，上有小亭遮风避雨，弥勒跌坐莲华，俯视众生，似在传道解惑，自有韵味。 飞仙阁毫无名气，既是因其本身数量较少，又是推广不力的缘故。作此文，扬其名，登阁飞仙，感悟佛缘。五星推荐，去朝阳湖可以不去看湖，但不可以不去飞仙阁。

风景很不错，周末和家人一起去特别好，亲近大自然。